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| Igor Stravinsky Quotes | No. | Quotation | Subject |
|---|---|---|
| 1 | Doomed to total failure in a deaf world of ignorance and indifference, he inexorably kept on cutting out his diamonds, his dazzling diamonds, of whose mines he had a perfect knowledge. Regarding Anton Webern | Failure |
| 2 | The phenomenon of music is given to us with the sole purpose of establishing an order in things, including, and particularly, the co-ordination between man [sic] and time. Quoted in DeLone et. al. (Eds.) (1975). Aspects of Twentieth-Century Music. Englewo | Music |
| 3 | One has a nose. The nose scents and it chooses. An artist is simply a kind of pig snouting truffles. 1962, quoted in Andriessen and Schoenberger, The Apollonian Clockwork (1989). Oxford: Oxford University Press. | Artist |
| 4 | For I consider that music is, by its very nature, essentially powerless to express anything at all, whether a feeling, an attitude of mind, a psychological mood, a phenomenon of nature, etc....Expression has never been an inherent property of music. That | Music |
| 5 | The over-publicized bit about expression (or non-expression) was simply a way of saying that music is supra-personal and super-real and as such beyond verbal meanings and verbal descriptions. It was aimed against the notion that a piece of music is in rea | Music |
| 6 | It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movem | Music |
| 7 | What I cannot follow are the manic-depressive fluctuations from total control to no control, from the serialization of all elements to chance. Igor Stravinsky and Robert Craft (1982). Themes and Conclusions, p.33. Berkley: University of California Press. | Music |
| 8 | Much of the music is a Merzbild, put together from whatever came to hand. I mean, for example...the Alberti-bass horn solo accompanying the Messenger. I also mean the fusion of such widely divergent types of music as the Folies Bergeres tune at No. 40 ('T | Music |
| Displaying 1 to 11 of 8 Stravinsky quotes |



